| Registos Bibliográficos associados ao registo de autoridade |
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Etiqueta de registo: 00000nam 2200025 450
001 1899556
003 http://id.bnportugal.gov.pt/bib/catbnp/1899556
100 ## $a20150430d2014 k y0pory01030103ba
101 0# $aeng$dpor
102 ## $aPT
105 ## $aa m 000yy
106 ## $ar
200 1# $aIntonaspacio$ecomprehensive study on the conception and design of digital musical instruments$einteraction between space and musical gesture$fMailis Gomes Rodrigues$gorient. Paulo Ferreira-Lopes
210 #9 $a[Lisboa$cs.n.],$d2014
215 ## $aXIX, 182 p.$cil.$d30 cm
320 ## $aBibliografia, p. 159-176
328 #1 $aTese dout. Ciência e Tecnologias para as Artes (Informática Musical), Universidade
Católica Portuguesa, 2014
675 ## $a789.1/.9(043)$vBN$zpor$31385376
675 ## $a7.01(043)$vBN$zpor$31221252
675 ## $a004(043)$vBN$zpor$31564378
701 #1 $90$aRodrigues,$bMailis Gomes$31607171
702 #1 $aLopes,$bPaulo Ferreira$f1964-$4727$31598100
801 #0 $aPT$bBN$gRPC
900 ## $aBIBNAC$d20150722
966 ## $lBN$mMUSICA$sM. 4601 V.$x1
Etiqueta de registo: 00254ncm 2200025 450
001 2077166
003 http://id.bnportugal.gov.pt/bib/catbnp/2077166
010 ## $a978-989-54920-2-2
021 ## $aPT$b474810/20
100 ## $a20210727d2018 m y0pory01030103ba
101 0# $apor
102 ## $aPT
106 ## $ar
200 1# $aMissa de Natal$bMúsica impressa]$dChristmas Mass$dMesse de Noël$dWeihnachtsmesse$fPaulo Ferreira-Lopes$zeng$zfre$zger
205 ## $a1ª ed
210 #9 $aPorto$cCabido Portucalense,$d2018
215 ## $aPartitura (139, [1] p.)$d30 cm
225 2# $aMúsica Sacra do Século XXI
510 1# $aChristmas Mass$zeng
510 1# $aMesse de Noël$zfre
510 1# $aWeihnachtsmesse$zger
700 #1 $aLopes,$bPaulo Ferreira$f1964-$31598100
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mMUSICA$sM.P. 3658 V.$x1
966 ## $lBN$mMUSICA$sM.P. 3658 V.-D $x1
Etiqueta de registo: 00000nlm 2200025 450
001 1942574
003 http://id.bnportugal.gov.pt/bib/catbnp/1942574
100 ## $a20160927d2016 k y0pory01030103ba
101 0# $afre
102 ## $aFR
106 ## $as
200 1# $aÉtude de modèles interactifs et d'interfaces de contrôle en temps réel pour la composition
musicale$bRecurso eletrónico]$fPaulo Ferreira-Lopes$gorient. Horacio Vaggione
210 #9 $aParis$c[s.n.,$dD.L. 2016]
215 ## $a1 CD-ROM
230 ## $aDados textuais e imagens
304 ## $aTít. retirado do primeiro ecrã informativo
328 #1 $aTese dout. Esthétique, Sciences et Technologies des Arts, Université Paris 8
675 ## $a781(043)(0.034)$vBN$zpor$31536390
675 ## $a004(043)(0.034)$vBN$zpor$31200505
700 #1 $aLopes,$bPaulo Ferreira$f1964-$31598100
702 #1 $aVaggione,$bHoracio$4727$31474408
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mMUSICA$sM. 2660 P.$x1
Etiqueta de registo: 00000nam 2200025 450
001 1893009
003 http://id.bnportugal.gov.pt/bib/catbnp/1893009
100 ## $a20150123d2014 k y0pory01030103ba
101 0# $apor$deng
102 ## $aPT
105 ## $aa m 000yy
106 ## $ar
200 1# $aMúsica portuguesa para clarinete e electrónica processos interativos na criação, interpretação
e performance$fNuno Fernandes Pinto$gorient. Sofia Lourenço, Paulo Ferreira-Lopes
210 #9 $a[Porto$cs.n.],$d2014
215 ## $aXXII, 321 p.$cil.$d30 cm
320 ## $aContém bibliografia
328 #1 $aTese doutoramento Ciência e Tecnologia das Artes, Escola das Artes, Universidade Católica
Portuguesa, 2014
675 ## $a004.42(469)(043)$vBN$zpor$31094477
675 ## $a788.5/.8(469)(043)$vBN$zpor$31588548
700 #1 $aPinto,$bNuno Fernandes$31598090
702 #1 $aLourenço,$bSofia$4727$31308788
702 #1 $aLopes,$bPaulo Ferreira$f1964-$4727$31598100
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mFGMON$sP. 41680 V.$x1
Etiqueta de registo: 00000nam 2200025 450
001 1899543
003 http://id.bnportugal.gov.pt/bib/catbnp/1899543
100 ## $a20150430d2014 k y0pory01030103ba
101 0# $apor$deng
102 ## $aPT
105 ## $aa m 000yy
106 ## $ar
200 1# $aEstudo particular das dinâmicas intermedia no início do século XXI$fAndré Rangel Macedo$gorient. Paulo Ferreira Lopes, Álvaro Manuel Mendes Barbosa
210 #9 $a[Lisboa$cs.n.],$d2014
215 ## $a392 p.$cil.$d30 cm
320 ## $aBibliografia, p. 361-392
328 #1 $aTese dout. Ciência e Tecnologia das Artes (Arte Interactiva), Univ. Católica Portuguesa,
2014
675 ## $a7.038.5"20"(043)$vBN$zpor$31613939
675 ## $a7.05"20"(043)$vBN$zpor$31613940
700 #1 $aMacedo,$bAndré Rangel$31607136
702 #1 $aLopes,$bPaulo Ferreira$f1964-$4727$31598100
702 #1 $aBarbosa,$bÁlvaro Manuel Mendes$4727$31595211
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mFGMON$sB.A. 39059 V.$x1
Etiqueta de registo: 00000nam 2200025 450
001 1919338
003 http://id.bnportugal.gov.pt/bib/catbnp/1919338
100 ## $a20160108d2015 k y0pory01030103ba
101 0# $apor$deng
102 ## $aPT
105 ## $aa m 001yy
106 ## $ar
200 1# $aGeometria serial$e um modelo compositivo para composição algorítmica assistida por computador$fJosé Telmo Rodrigues Marques$gorient. Paulo Ferreira-Lopes
210 #9 $a[Porto$cs.n.],$d2015
215 ## $aXIX, 294 p.$cil.$d30 cm$e1 disco ótico (CD-ROM) em bolsa
320 ## $aBiibliografia, p. 197-204
328 #1 $aTese dout. Ciência e Tecnologia das Artes (Informática Musical), Escola das Artes,
Univ. Católica Portuguesa, 2015
675 ## $a78Schoenberg, Arnold(043)$vBN$zpor$31631724
675 ## $a78Perle, George(043)$vBN$zpor$31631727
675 ## $a78.089.6(043)$vBN$zpor$31602628
675 ## $a004(043)$vBN$zpor$31564378
700 #1 $aMarques,$bJosé Telmo Rodrigues$31631646
702 #1 $aLopes,$bPaulo Ferreira$f1964-$4727$31598100
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mMUSICA$sM. 4752 V.$x1
Etiqueta de registo: 00000nam 2200025 450
001 1919319
003 http://id.bnportugal.gov.pt/bib/catbnp/1919319
100 ## $a20160108d2014 k y0pory01030103ba
101 0# $aeng$dpor
102 ## $aPT
105 ## $aa m 000yy
106 ## $ar
200 1# $a The gesture's narrative$econtemporary music for percussion$fNuno Mendes Moreira Aroso$gorient. Sofia Lourenço da Fonseca, Paulo Ferreira-Lopes
210 #9 $a[Porto$cs.n.],$d2014
215 ## $a1 v., pag. var$cil.$d30 cm$e1 disco ótico (CD-ROM) em bolsa
320 ## $aContém biibliografia
328 #1 $aTese dout. Ciência e Tecnologia das Artes, Escola das Artes, Univ. Católica Portuguesa,
2014
675 ## $a781.1(043)$vBN$zpor$31317075
700 #1 $aAroso,$bNuno Mendes Moreira$31631643
702 #1 $aLourenço,$bSofia$4727$31308788
702 #1 $aLopes,$bPaulo Ferreira$f1964-$4727$31598100
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mMUSICA$sM. 4744 V.$x1
Etiqueta de registo: 00230nam 2200025 450
001 1946944
003 http://id.bnportugal.gov.pt/bib/catbnp/1946944
100 ## $a20161103d2015 k y0pory01030103ba
101 0# $aporengeng$deng
102 ## $aPT
105 ## $aa m 000yy
106 ## $ar
200 1# $aPara uma procura da autenticidade na interpretação pianística$e o estudo de caso do "Carnaval" op. 9 de Robert Schumann$fTeresa da Palma Pereira$gorient. Sofia Lourenço, Paulo Ferreira-Lopes
210 #9 $a[S.l.$cs.n.],$d2015
215 ## $aXXVI, 342 p.$cil.$d30 cm$eanexos 1 CD-ROM
328 #1 $aTese dout. Ciência e Tecnologia das Artes, Escola das Artes, Univ. Católica Portuguesa,
2015
675 ## $a78Schumann, Robert(043)$vBN$zpor$31663755
675 ## $a786.2(=1:430)"18"(043)$vBN$zpor$31663770
675 ## $a78.089.6(043)$vBN$zpor$31602628
700 #1 $aPereira,$bTeresa da Palma,$f1985-$31438205
702 #1 $aLourenço,$bSofia$4727$31308788
702 #1 $aLopes,$bPaulo Ferreira$f1964-$4727$31598100
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mMUSICA$sM. 4992 V.$x1
Etiqueta de registo: 00000nam 2200025 450
001 1963998
003 http://id.bnportugal.gov.pt/bib/catbnp/1963998
100 ## $a20170529d2015 k y0pory01030103ba
101 0# $aeng$dpor
102 ## $aPT
105 ## $aa m 001yy
106 ## $ar
200 1# $a A new chemistry of sound$e the tecnique of multiphonics as a compositional element for guitar and amplified
guitar$fRita Luzes Torres$gorient. Paulo Ferreira Lopes, Thomas A. Troge
210 #9 $aLisboa$c[s.n.],$d2015
215 ## $aXVII, 352, [17] p.$cil.$d30 cm$e1 CD-ROM
328 #1 $aTese dout. Philosophy in Science and Technology of ths Arts (Computer Music), Escola
das Artes, Universidade Católica Portuguesa, 2015
675 ## $a787.6(043)$vBN$zpor$31433005
675 ## $a004(043)$vBN$zpor$31564378
675 ## $a78.089.6(043)$vBN$zpor$31602628
700 #1 $aTorres,$bRita Luzes$31682361
702 #1 $aTroge,$bThomas A.$4727$31682453
702 #1 $aLopes,$bPaulo Ferreira$f1964-$4727$31598100
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mMUSICA$sM. 5115 V.$x1
Etiqueta de registo: 00000nam 2200025 450
001 2077137
003 http://id.bnportugal.gov.pt/bib/catbnp/2077137
100 ## $a20210727d2019 k y0pory01030103ba
101 0# $apor$deng
102 ## $aPT
105 ## $aa m 000yy
106 ## $ar
200 1# $aPerformance musical aumentada$eprática multidimendional enquanto co-criação e hybrid augmented saxophone of gestural
symbiosis$fHenrique Daniel Portovedo Marques$gorient. Paulo Ferreira Lopes
210 #9 $a[S.l.$cs.n.],$d2019
215 ## $a1 v.$cil.$d30 cm
328 #1 $aTese dout. Ciências e Tecnologia das Artes (Informática Musical), Escola das Artes,
Univ. Católica Portuguesa, 2019
675 ## $a781.1(043)$vBN$zpor$31317075
675 ## $a781.6(043)$vBN$zpor$31313483
675 ## $a788.1/.4(043)$vBN$zpor$31760419
700 #1 $aMarques,$bHenrique Daniel Portovedo$31815503
702 #1 $aLopes,$bPaulo Ferreira$f1964-$4727$31598100
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mMUSICA$sM. 5788 V.$x1
972 ## $e0$d20220204$viquintas
973 ## $csteixeira$d20220202
Etiqueta de registo: 00000nam 2200025 450
001 2077206
003 http://id.bnportugal.gov.pt/bib/catbnp/2077206
100 ## $a20210728d2019 k y0pory01030103ba
101 0# $apor$deng
102 ## $aPT
105 ## $aa m 000yy
106 ## $ar
200 1# $aDigital sock$eestudo e desenvolvimento de instrumentos musicais digitais com ênfase em interface
gestual, análise do movimento e interatividade$fSlavisa Rupar Lamounier Van Lammeren$gorient. Paulo Ferreira-Lopes
210 #9 $a[S.l.$cs.n.],$d2019
215 ## $a[28], 302 p.$cil.$d30 cm
328 #1 $aTese dout. Ciência e Tecnologia das Artes Informática Digital, Escola das Artes, Universidade
Católica Portuguesa, 2019
675 ## $a789(043)$vBN$zpor$31395212
675 ## $a004.4(043)$vBN$zpor$3787169
700 #1 $aVan Lammeren,$bSlavisa Rupar Lamounier$31815575
702 #1 $aLopes,$bPaulo Ferreira$f1964-$4727$31598100
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mMUSICA$sM. 5787 V.$x1
971 ## $clrevez $d20210728
972 ## $e0$d20220204$viquintas
973 ## $csteixeira$d20220202
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