Etiqueta de registo: 00000nam 2200025 450
001 1991343
003 http://id.bnportugal.gov.pt/bib/catbnp/1991343
100 ## $a20180528d2017 k y0pory01030103ba
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102 ## $aPT
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200 1# $aQueerying design$ematerial re-configurations of body politics$fEce Canli$gsupervised João Cruz, Ana Cristina Santos
210 #9 $aPorto$c[s.n.],$d2017
215 ## $aVIII, 364 p.$cil.$d30 cm
328 #1 $aTese dout. Design, Faculty of fine Arts, University of Porto, 2017
675 ## $a7.05(043)$vBN$zpor$3818439
675 ## $a316.75(043)$vBN$zpor$31159420
700 #1 $aCanli,$bEce$31715334
702 #1 $aCruz,$bJoão$4727$3121495
702 #1 $95$aSantos,$bAna Cristina$4727$31715337
801 #0 $aPT$bBN$gRPC
966 ## $lBN$mFGMON$sB.A. 43151 V.$x1

Etiqueta de registo: 00000nam 2200025 450
001 2118533
003 http://id.bnportugal.gov.pt/bib/catbnp/2118533
100 ## $a20221215d2021 k y0pory01030103ba
101 0# $aeng$dpor
102 ## $aPT
105 ## $aa m 000yy
106 ## $ar
200 1# $aReassembling the dance floor$eexploring interactions at after-parties in spaces of consumption of electronic music in city of Oporto in the years 2016-2018$fCésar Octavio Lugo-Elías$gorient. Ana Cristina Santos, Pedro Cardoso
210 #9 $aPorto$c[s.n.],$d2021
215 ## $a241 p.$cil.$d30 cm
328 #1 $aTese dout. Design, Faculdade de Belas Artes, Universidade do Porto, 2021
675 ## $a726.8.012(469.121)"2016/2018"(043)$vBN$zpor$31877288
675 ## $a793.3(469.121)"2016/2018"(043)$vBN$zpor$31877286
675 ## $a316.334(469.121)"2016/2018"(043)$vBN$zpor$31877287
675 ## $a316.45(469.121)"2016/2018"(043)$vBN$zpor$31877280
700 #1 $aLugo-Elías,$bCésar Octavio$31866739
702 #1 $95$aSantos,$bAna Cristina$4727$31715337
702 #1 $96$aCardoso,$bPedro$4727$31413472
801 #0 $aPT$bBN$gRPC
856 40 $2Cópia digital disponível no Repositório Aberto da Universidade do Porto$uhttps://hdl.handle.net/10216/135399
966 ## $lBN$mFGMON$sB.A. 48258 V.$x1
971 ## $corlando$d20221215
972 ## $e0$z0$d20230102$vasantos
973 ## $cigoulao$d20230324