Registos Bibliográficos associados ao registo de autoridade |
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Etiqueta de registo: 00458cam 02200157 04500 001 1061528 003 http://id.bnportugal.gov.pt/bib/catbnp/1061528 005 20010709000000.0 100 ## $a20010709d1994 km y0pory0103 ba 101 0# $apor 102 ## $aPT 200 1# $aCurriculum vitae$bTexto policopiado]$fAntónio José Olaio Correia de Carvalho 210 #9 $aCoimbra$cA.J.O.C. Carvalho,$d[1994] 215 ## $a12 p.$d30 cm 675 ## $a92$vmed$zfre$3288142 700 #1 $aOlaio,$bAntónio,$f1963-$3295143 801 #0 $aPT$bBN$gRPC 997 ## $aBIBEOD
Etiqueta de registo: 00230nam 2200025 450 001 1852782 003 http://id.bnportugal.gov.pt/bib/catbnp/1852782 100 ## $a20131011d2013 k y0pory0103 ba 101 0# $aporpor$deng 102 ## $aPT 105 ## $aa m 000yy 106 ## $ar 200 1# $aComo eu sou assim, mapeamento visual na primeira pessoa$edocumento e índice$fMaria Alice Barriga Geirinhas dos Santos$gorient. António José Olaio Correia de Carvalho 210 #9 $aCoimbra$c[s.n.],$d2013 215 ## $a378 p.$cil.$d30 cm 215 ## $a1 disco ótico (CD-ROM) em caixa$cil.$d13 x 14 x 1 cm 305 ## $aEd. impressa e em CD-ROM 320 ## $aContém bibliografia 328 #1 $aTese dout. Arte Contemporânea, Univ. de Coimbra, 2013 675 ## $a7.01(043)$vBN$zpor$31221252 675 ## $a7.03(043)$vBN$zpor$31516436 700 #1 $aGeirinhas,$bAlice,$f1964-$31178353 702 #1 $aOlaio,$bAntónio,$f1963-$4727$3295143 801 #0 $aPT$bBN$gRPC 966 ## $lBN$mDEM$sB.A. 9640 P.$x1 966 ## $lBN$mFGMON$sB.A. 36639 V.$x1
Etiqueta de registo: 00230nam 2200025 450 001 1818822 003 http://id.bnportugal.gov.pt/bib/catbnp/1818822 100 ## $a20120917d2011 k y0pory01030103ba 101 0# $apor$deng 102 ## $aPT 105 ## $aa m 000yy 106 ## $ar 200 1# $a A performance enquanto encontro íntimo$fSusana Mendes Costa da Silva$gorient. António Olaio 210 #9 $aCoimbra$c[s.n.],$d2011 215 ## $a236 f.$cil.$d30 cm 215 ## $a1 disco óptico (CD-ROM) em caixa$cil.$d13 x 14 x 1 cm 305 ## $aEd. impressa e em CD-ROM 320 ## $aBibliografia, p. 397-436 328 #1 $aTese dout. Colégio das Artes, Univ. de Coimbra, 2011 675 ## $a7.01(043)$vBN$zpor$31221252 675 ## $a7.073(043)$vBN$zpor$31375938 700 #1 $aSilva,$bSusana Mendes,$f1972-$31181189 702 #1 $aOlaio,$bAntónio,$f1963-$4727$3295143 801 #0 $aPT$bBN$gRPC 966 ## $lBN$mDEM$sB.A. 9192 P.$x1 966 ## $lBN$mDEM$sB.A. 9192 P.-D $x1 966 ## $lBN$mFGMON$sB.A. 34908 V.$x1
Etiqueta de registo: 00230nam 2200025 450 001 1797041 003 http://id.bnportugal.gov.pt/bib/catbnp/1797041 010 ## $a978-989-8354-10-5 021 ## $aPT$b325363/11 100 ## $a20111212d2011 m d0pory0103 ba 101 0# $apor 102 ## $aPT 105 ## $aa b 000yy 106 ## $ar 200 1# $aShall i vote for Elvis?$eAntónio Olaio$forg. Teatro Municipal da Guarda, Galeria de Arte 210 #9 $aGuarda$cT. M.,$d2011 215 ## $a[24] p.$cil.$d22 cm 675 ## $a75Olaio, António(083.82)$vBN$zpor$31220747 675 ## $a7.038.5Olaio, António(083.82)$vBN$zpor$31473531 675 ## $a061.4$vBN$zpor$3288771 700 #1 $aOlaio,$bAntónio,$f1963-$3295143 712 02 $aTeatro Municipal da Guarda.$bGaleria de Arte$4340$31408915 801 #0 $aPT$bBN$gRPC 856 41 $uhttp://rnod.bnportugal.gov.pt/ImagesBN/winlibimg.aspx?skey=&doc=1797041&img=15072&save=true 900 ## $aBIBNAC$d20121126 966 ## $lBN$mFGMON$sB.A. 35012 V.$x1 966 ## $lBN$mFGMON$sB.A. 35012 V.-D$x1
Etiqueta de registo: 00230nam 2200025 450 001 1773580 003 http://id.bnportugal.gov.pt/bib/catbnp/1773580 100 ## $a20110302d2008 k y0pory0103 ba 101 0# $apor$deng 102 ## $aPT 105 ## $aa m 001yy 106 ## $ar 200 1# $a O perpétuo presente$eheterotopias glocais na arte contemporânea$fFernando Ribeiro$gorient. Maria João Gamito, António Olaio 210 #9 $aLisboa$c[s.n.],$d2008 215 ## $a262 f.$cil.$d30 cm$ecurriculum vitae (8 f.) 215 ## $a1 disco óptico (CD-ROM) em caixa$cil.$d13 x 15 x 1 cm 305 ## $aEd. impressa e em CD-ROM 320 ## $aContém bibliografia 327 1# $aContém declaração 328 #1 $aTese dout. Arte Pública, Fac. de Belas-Artes, Univ. Clássica de Lisboa, 2008 675 ## $a7.01(043)$vBN$zpor$31221252 700 #1 $92$aRibeiro,$bFernando$31052120 702 #1 $aGamito,$bMaria João$4727$3298975 702 #1 $aOlaio,$bAntónio,$f1963-$4727$3295143 801 #0 $aPT$bBN$gRPC 966 ## $lBN$mDEM$sB.A. 8812 P.$x1 966 ## $lBN$mFGMON$sB.A. 33403 V.$x1
Etiqueta de registo: 00230nam 2200025 450 001 1754363 003 http://id.bnportugal.gov.pt/bib/catbnp/1754363 010 ## $a978-972-8679-23-1 021 ## $aPT$b285412/08 100 ## $a20100824d2008 m y0pory0103 ba 101 0# $apor 102 ## $aPT 105 ## $aa z 000yy 106 ## $ar 200 1# $aArmando Azevedo$erecordações imaginárias$fAntónio Olaio... [et al.] 210 #9 $aCoimbra$cCAPC - Círculo de Artes Plásticas,$dcop. 2008 215 ## $a95, [1] p.$cil.$d24 cm 675 ## $a7.038.5Azevedo, Armando$vBN$zpor$31443095 675 ## $a061.4$vBN$zpor$3288771 700 #1 $aAzevedo,$bArmando,$f1947-2020$354042 701 #1 $aOlaio,$bAntónio,$f1963-$4070$3295143 801 #0 $aPT$bBN$gRPC 900 ## $aBIBNAC$d20101216 966 ## $lBN$mFGMON$sB.A. 32037 V.$x1 966 ## $lBN$mFGMON$sB.A. 32037 V.-D$x1
Etiqueta de registo: 00230nam 2200025 450 001 1563285 003 http://id.bnportugal.gov.pt/bib/catbnp/1563285 010 ## $a972-99019-7-X 021 ## $aPT$b202251/05 100 ## $a20070212d2005 m y0pory0103 ba 101 0# $apor 102 ## $aPT 105 ## $aa z 000cy 106 ## $ar 200 1# $aSer um indivíduo chez Marcel Duchamp$fAntónio Olaio 205 ## $a1ª ed 210 #9 $aPorto$cDafne,$d2005 215 ## $a213, [1] p.$cil.$d23 cm 225 2# $aEquações de arquitectura$v18 320 ## $aBibliografia, p. 213 600 #1 $aDuchamp,$bMarcel,$f1887-1968$xArtes plásticas$j[Ensaios]$2SIPOR$31310125 675 ## $a75Duchamp, Marcel(042)$vBN$zpor$31310129 675 ## $a7.038.5Duchamp, Marcel(042)$vBN$zpor$31310128 700 #1 $aOlaio,$bAntónio,$f1963-$3295143 801 #0 $aPT$bBN$gRPC 900 ## $aBIBNAC$d20130602 966 ## $lBN$mFGMON$sB.A. 26968 V.$x1 966 ## $lBN$mFGMON$sB.A. 26968 V.-D $x1
Etiqueta de registo: 00230nam 2200025 450 001 1677814 003 http://id.bnportugal.gov.pt/bib/catbnp/1677814 010 ## $a972-8704-68-2 021 ## $aPT$b243188/06 100 ## $a20080218d2006 m a0pory0103 ba 101 0# $apor 102 ## $aPT 105 ## $aa z 000yd 106 ## $ar 200 1# $aDesenho$epercepção e investigação formal$fAntónio Olaio 210 #9 $aCoimbra$cImprensa da Universidade de Coimbra,$d2006 215 ## $a201 p.$cil.$d24 cm 225 2# $aSérie ensino 675 ## $a741.02$vBN$zpor$3323781 675 ## $a378.14$vBN$zpor$3355619 700 #1 $aOlaio,$bAntónio,$f1963-$3295143 801 #0 $aPT$bBN$gRPC 900 ## $aBIBNAC$d20130602 966 ## $lBN$mFGMON$sB.A. 27944 V.$x1 966 ## $lBN$mFGMON$sB.A. 27944 V.-D $x1
Etiqueta de registo: 00785cam 02200253 04500 001 1072953 003 http://id.bnportugal.gov.pt/bib/catbnp/1072953 005 20020405165900.0 021 ## $aPT$b168239/01 100 ## $a20011213d2001 m y0pory0103 ba 101 0# $aeng$dpor 102 ## $aPT 105 ## $aa b 001yy 106 ## $ar 200 1# $aSinging my art away$eAntónio Olaio$epaintings, songs, videos$f[org.] Galeria César, Filomena Soares 210 #9 $a[S.l.$cs.n.],$dD.L. 2001$eLisboa :$gGuide - Artes Gráficas) 215 ## $a[56] p.$cil.$d21 cm 675 ## $a75$vBN$zpor$3912602 675 ## $a821.134.3-1"19"$vBN$zpor$3288131 700 #1 $aOlaio,$bAntónio,$f1963-$3295143 702 #1 $aSoares,$bFilomena$4273$3168645 712 02 $aCesar Galeria$4273$3267757 900 ## $aBIBNAC$d20130602 966 ## $lBN$mFGMON$sB.A. 20327 V.$x1 966 ## $lBN$mFGMON$sB.A. 20327 V.$x1
Etiqueta de registo: 00833cam 02200241 04500 001 24691 003 http://id.bnportugal.gov.pt/bib/catbnp/24691 005 19981111215500.0 095 ## $aPTBN00025293 100 ## $a19860711d1986 k y0pora0103 ba 101 0# $apor 102 ## $aPT 200 1# $aNa Atlântida$elivro documentador de exposição realizada na Galeria Roma e Pavia$ftextos e pintura de António Olaio & Arte Postal Internacional$gpref. Armando Azevedo 210 #9 $a[S.l.]$cA. Olaio,$dimp. 1986$eCarvalhos :$gGráf. Claret) 215 ## $a79, [2] p.$cil.$d17x17 cm 675 ## $a75$vmed$zpor$3912602 675 ## $a7.04$vmed$zpor$3289880 700 #1 $aOlaio,$bAntónio,$f1963-$3295143 702 #1 $aAzevedo,$bArmando de$4080$311855 711 02 $aArte Postal Internacional$4070$3295144 801 #0 $aPT$bBN$gRPC 966 ## $lBN$mFGMON$sB.A. 5535 P. 997 ## $aBIBEOD 998 ## $aFSE67 - 00262
Etiqueta de registo: 00230nam 2200025 450 001 1693282 003 http://id.bnportugal.gov.pt/bib/catbnp/1693282 010 ## $a978-972-99979-2-1 021 ## $aPT$b253189/07 100 ## $a20081007d2007 m y0pory0103 ba 101 0# $aporeng$aeng 102 ## $aPT 105 ## $aa b 000yy 106 ## $ar 200 1# $aI think diferently now that I can paint$fAntónio Olaio$gtrad. Scott M. Culp 210 #9 $aGuimarães$cCentro Cultural Vila Flor,$d2007 215 ## $a167 p.$cil.$d24 cm 305 ## $aEd. bilingue, em português e inglês 675 ## $a7Olaio, António(047.53)$vBN$zpor$31348270 700 #1 $aOlaio,$bAntónio,$f1963-$3295143 702 #1 $aCulp,$bScott M.$4730$31345841 801 #0 $aPT$bBN$gRPC 900 ## $aBIBNAC$d20130602 966 ## $lBN$mFGMON$sB.A. 28573 V.$x1 966 ## $lBN$mFGMON$sB.A. 28573 V.-D $x1
Etiqueta de registo: 00000nam 2200025 450 001 2068272 003 http://id.bnportugal.gov.pt/bib/catbnp/2068272 010 ## $a978-989-99904-6-3 021 ## $aPT$b458695/19 100 ## $a20210504d2017 m y0pory01030103ba 101 0# $apor 102 ## $aPT 105 ## $aa b 000yy 106 ## $ar 200 1# $aPulverizações de Pompeia$fPedro Proença$gcoord. António Olaio, José Maçãs de Carvalho$gtextos Pedro Proença$gfot. Vítor Garcia 210 #9 $aCoimbra$cColégio das Artes da Universidade de Coimbra,$d2017 215 ## $a35, [5] p.$cil.$d15 cm 225 2# $aQuarto 22 675 ## $a741Proença, Pedro(083.82)$vBN$zpor$31810242 675 ## $a741(=1:469)"19/20"(083.82)$vBN$zpor$31507398 675 ## $a061.4$vBN$zpor$3288771 700 #1 $aProença,$bPedro,$f1962-$382590 702 #1 $aOlaio,$bAntónio,$f1963-$4340$3295143 702 #1 $aCarvalho,$bJosé Maçãs de,$f1960-$4340$388881 702 #1 $aGarcia,$bVítor,$f1958-$4600$31708092 801 #0 $aPT$bBN$gRPC 856 41 $uhttp://rnod.bnportugal.gov.pt/ImagesBN/winlibimg.aspx?skey=&doc=2068272&img=150544&save=true 900 ## $aBIBNAC$d20210608 966 ## $lBN$mFGMON$sB.A. 11420 P.$x1
Etiqueta de registo: 00230nam 2200025 450 001 1874247 003 http://id.bnportugal.gov.pt/bib/catbnp/1874247 100 ## $a20140526d2013 k y0pory01030103ba 101 0# $aporeng$deng 102 ## $aPT 105 ## $aa m 000yy 106 ## $ar 200 1# $a A reinvenção do real$eda reflexão crítica ao exercício de curadoria$fDavid Manuel Gargalo dos Santos$gorient. António José Olaio Correia de Carvalho 210 #9 $aCoimbra$c[s.n.],$d2013 215 ## $aXI, [2], 518 p.$cil.$d30 cm 320 ## $aBibliografia, p. 505-518 328 #1 $aTese dout. Arte Contemporânea, Colégio das Artes, Univ. de Coimbra, 2013 675 ## $a7.07(043)$vBN$zpor$31343879 700 #1 $aSantos,$bDavid,$f1971-$31165164 702 #1 $aOlaio,$bAntónio,$f1963-$4727$3295143 801 #0 $aPT$bBN$gRPC 966 ## $lBN$mFGMON$sB.A. 37416 V.$x1
Etiqueta de registo: 00000nam 2200025 450 001 1894625 003 http://id.bnportugal.gov.pt/bib/catbnp/1894625 100 ## $a20150216d2014 k y0pory01030103ba 101 0# $apor$deng 102 ## $aPT 105 ## $aa m 000yy 106 ## $ar 200 1# $aHabitar como poética$epercurso plástico e conceitual a partir da obra de Alberto Carneiro e de Pedro Cabrita
Reis$fClaudia Tamm Renault$gorient. António José Olaio Correia de Carvalho, Pedro Filipe Rodrigues Pousada 210 #9 $aCoimbra$c[s.n.],$d2014 215 ## $a397, [4] p.$cil.$d30 cm 320 ## $aBibliografia, p. 371-397 328 #1 $aTese dout. Arte Contemporânea, Colégio das Artes, Univ. Coimbra, 2014 675 ## $a73Carneiro, Alberto(043)$vBN$zpor$31491399 675 ## $a73Reis, Pedro Cabrita(043)$vBN$zpor$31602348 700 #1 $aRenault,$bClaudia Tamm,$f1952-$31600191 702 #1 $aOlaio,$bAntónio,$f1963-$4727$3295143 702 #1 $aPousada,$bPedro,$f1970-$4727$31617895 801 #0 $aPT$bBN$gRPC 966 ## $lBN$mFGMON$sB.A. 38375 V.$x1
Etiqueta de registo: 00254nls 2200025 450 001 1896458 003 http://id.bnportugal.gov.pt/bib/catbnp/1896458 011 ## $a2183-4903$f2183-4903 100 ## $a20150310a20159999m y0pory01030103ba 101 0# $apor 102 ## $aPT 106 ## $as 110 ## $aahazz 0uu0 135 ## $avrcu ---uuuuu 200 1# $aHomeless monalisa$bRecurso eletrónico]$fed. Colégio das Artes da Universidade de Coimbra$gdir. António Olaio, Pedro Pousada, Jorge Figueira 207 #0 $aNº 1 (mar. 2015)- 210 #9 $aCoimbra$cColégio das Artes da Universidade de Coimbra,$d2015- 230 ## $aRecurso em linha 303 ## $aDescrição baseada na data de consulta de: 10 março 2015 304 ## $aTít. do ecrã de apresentação 326 ## $aTrimestral 336 ## $aDados textuais e imagens 337 ## $aModo de acesso: World Wide Web 530 0# $aHomeless monalisa 620 ## $dCoimbra 675 ## $a7(05)(0.034)$vBN$zpor$31602734 702 #1 $aOlaio,$bAntónio,$f1963-$4300$3295143 702 #1 $aPousada,$bPedro$4300$3833943 702 #1 $aFigueira,$bJorge,$f1965-$4300$3904940 712 02 $aUniversidade de Coimbra.$bColégio das Artes$4650$31602731 801 #0 $aPT$bBN$gRPC 802 ## $a18 856 40 $uhttp://homelessmonalisa.com 995 ## $aR-ISSN $d20150310$iiquintas
Etiqueta de registo: 00000nam 2200025 450 001 1907729 003 http://id.bnportugal.gov.pt/bib/catbnp/1907729 010 ## $a978-989-26-0746-7 021 ## $aPT$b375255/14 100 ## $a20150812d2014 m y0pory01030103ba 101 0# $apor 102 ## $aPT 105 ## $aa z 000yy 106 ## $ar 200 1# $aDesenho$eplasticidade e prática conceptual$fAntónio Olaio, Pedro Pousada 210 #9 $aCoimbra$cImprensa da Universidade de Coimbra$cUniversity Press,$dcop. 2014 215 ## $a231 p.$cil.$d23 cm 675 ## $a741.02$vBN$zpor$3323781 675 ## $a7.01$vBN$zpor$3288214 700 #1 $aOlaio,$bAntónio,$f1963-$3295143 701 #1 $aPousada,$bPedro,$f1970-$4070$31617895 801 #0 $aPT$bBN$gRPC 856 41 $uhttp://rnod.bnportugal.gov.pt/ImagesBN/winlibimg.aspx?skey=&doc=1907729&img=64123&save=true 966 ## $lBN$mFGMON$sB.A. 39202 V.$x1 966 ## $lBN$mFGMON$sB.A. 39202 V.-D$x1
Etiqueta de registo: 00000nam 2200025 450 001 1912623 003 http://id.bnportugal.gov.pt/bib/catbnp/1912623 100 ## $a20151016d2014 k y0pory01030103ba 101 0# $apor$deng 102 ## $aPT 105 ## $aa m 000yy 106 ## $ar 200 1# $aArquivo e memória$eCircuitos mnemónicos$fJosé Augusto Maças da Silva Carvalho$gorient. António José Olaio Correia de Carvalho 210 #9 $aCoimbra$c[s.n.],$d2014 215 ## $a281 p.$cil.$d30 cm 320 ## $aContém bibliografia 328 ## $aTese doutoramento Arte Contemporânea, Colégio das Artes, Universidade de Coimbra,
2014 675 ## $a7.01(043)$vBN$zpor$31221252 675 ## $a7.072Warburg, Aby(043)$vBN$zpor$31624134 675 ## $a159.953(043)$vBN$zpor$3808641 675 ## $a316.72(043)$vBN$zpor$31213126 700 #1 $aCarvalho,$bJosé Maçãs de,$f1960-$388881 702 #1 $aOlaio,$bAntónio,$f1963-$4727$3295143 801 #0 $aPT$bBN$gRPC 966 ## $lBN$mFGMON$sB.A. 39441 V.$x1
Etiqueta de registo: 00000nam 2200025 450 001 1928705 003 http://id.bnportugal.gov.pt/bib/catbnp/1928705 100 ## $a20160419d2015 k y0pory01030103ba 101 0# $apor$deng 102 ## $aPT 105 ## $aa m 000yy 106 ## $ar 200 1# $aPintura contemporânea, imagem deferida e proposição crítica$fValdemar dos Santos Mendes$gorient. Rita Maria da Silva Marnoto, António José Olaio Correia de Carvalho 210 #9 $aCoimbra$c[s.n.],$d2015 215 ## $a303 p.$cil.$d30 cm 320 ## $aBibliografia, p. 295-303 328 #1 $aTese dout. Arte Contemporânea, Colégio das Artes, Univ. de Coimbra, 2015 675 ## $a75.036(043)$vBN$zpor$31366750 700 #1 $aMendes,$bValdemar dos Santos$31643058 702 #1 $aMarnoto,$bRita,$f1957-$4727$3169512 702 #1 $aOlaio,$bAntónio,$f1963-$4727$3295143 801 #0 $aPT$bBN$gRPC 966 ## $lBN$mFGMON$sB.A. 40205 V.$x1
Etiqueta de registo: 00000nam 2200025 450 001 1934158 003 http://id.bnportugal.gov.pt/bib/catbnp/1934158 100 ## $a20160616d2014 k y0pory01030103ba 101 0# $apor 102 ## $aPT 105 ## $aa m 000yy 106 ## $ar 200 1# $aNo xadrez do desenho$eMarcel Duchamp e as complexidades do desenho$esumário de lição desenho II$fAntónio José Olaio Correia de Carvalho 210 #9 $aCoimbra$c[s.n.],$d2014 215 ## $a[21] f.$cil.$d30 cm 488 #1 $10011934157$tRelatório da disciplina de desenho II$c[s.n.],$d2014 675 ## $a378.14(079)$vBN$zpor $31467498 675 ## $a741(079)$vBN$zpor$31649525 700 #1 $aOlaio,$bAntónio,$f1963-$3295143 801 #0 $aPT$bBN$gRPC 900 ## $aBIBNAC$d20160629 966 ## $lBN$mFGMON$sS.C. 143394 V.$x1
Etiqueta de registo: 00000nam 2200025 450 001 1934157 003 http://id.bnportugal.gov.pt/bib/catbnp/1934157 100 ## $a20160616d2014 k y0pory01030103ba 101 0# $apor 102 ## $aPT 105 ## $aa m 000yy 106 ## $ar 200 1# $aRelatório da disciplina de desenho II$fAntónio José Olaio Correia de Carvalho 210 #9 $aCoimbra$c[s.n.],$d2014 215 ## $a[33] f.$cil.$d30 cm$ecurriculum vitae (115) p. 300 ## $aProvas de Agregação, área científica Arquitectura, para obtenção do título académico
de agregado, Faculdade de Ciências e Tecnologia, Univ. de Coimbra, 2014 488 #1 $10011934161$tProvas de agregação em Arquitectura (Expressão Plástica e Arquitectura)$c[s.n.],$d2014 488 #1 $10011934158$tNo xadrez do desenho Marcel Duchamp e as complexidades do desenho$c[s.n.],$d2014 675 ## $a378.14(079)$vBN$zpor $31467498 675 ## $a741(079)$vBN$zpor$31649525 700 #1 $aOlaio,$bAntónio,$f1963-$3295143 801 #0 $aPT$bBN$gRPC 966 ## $lBN$mFGMON$sS.C. 143400 V.$x1
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Etiqueta de registo: 00000nam 2200025 450 001 1975340 003 http://id.bnportugal.gov.pt/bib/catbnp/1975340 100 ## $a20171102d2017 k y0pory01030103ba 101 0# $apor$deng 102 ## $aPT 105 ## $aa m 000yy 106 ## $ar 200 1# $aBreviário do quotidiano #8$e os regimes acumulativos dos objetos e as suas determinantes$fAna Paula Pérez e Quiroga de Almeida$gorient. António José Olaio Correia de Carvalho 210 #9 $aCoimbra$c[s.n.],$d2017 215 ## $aXVIII, 215 p.$cil.$d30 cm 328 #1 $aTese dout. Arte Contemporânea, Colégio das Artes, Univ. de Coimbra, 2017 675 ## $a7.038(043)$vBN$zpor$31698142 675 ## $a7.011.4(043)$vBN$zpor$31698141 700 #1 $aAlmeida,$bAna Paula Pérez e Quiroga de $31695842 702 #1 $aOlaio,$bAntónio,$f1963-$4727$3295143 801 #0 $aPT$bBN$gRPC 966 ## $lBN$mFGMON$sB.A. 42274 V.$x1
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Etiqueta de registo: 00254nam 2200025 450 001 2107684 003 http://id.bnportugal.gov.pt/bib/catbnp/2107684 100 ## $a20220810d2021 k y0pory01030103ba 101 0# $apor$deng 102 ## $aPT 105 ## $aa m 000yy 106 ## $ar 200 1# $aMargens inquietas, fronteiras instáveis$erelações de (in)dependência no sistema da arte a partir dos anos 1990$fClara Sampaio Cunha$gorient. António José Olaio Correia de Carvalho, Sandra Vieira Jürgens, Cristina Santiago
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